Wednesday, March 28, 2012

Free PDF Concerning the Spiritual in Art, by Wassily Kandinsky

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Concerning the Spiritual in Art, by Wassily Kandinsky

Concerning the Spiritual in Art, by Wassily Kandinsky


Concerning the Spiritual in Art, by Wassily Kandinsky


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Concerning the Spiritual in Art, by Wassily Kandinsky

Language Notes

Text: English, German (translation)

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From the Back Cover

A pioneering work in the movement to free art from its traditional bonds to material reality, this book is one of the most important documents in the history of modern art. Written by the famous nonobjective painter Wassily Kandinsky (1866–1944), it explains Kandinsky's own theory of painting and crystallizes the ideas that were influencing many other modern artists of the period. Along with his own groundbreaking paintings, this book had a tremendous impact on the development of modern art.Kandinsky's ideas are presented in two parts. The first part, called "About General Aesthetic," issues a call for a spiritual revolution in painting that will let artists express their own inner lives in abstract, non-material terms. Just as musicians do not depend upon the material world for their music, so artists should not have to depend upon the material world for their art. In the second part, "About Painting," Kandinsky discusses the psychology of colors, the language of form and color, and the responsibilities of the artist. An Introduction by the translator, Michael T. H. Sadler, offers additional explanation of Kandinsky's art and theories, while a new Preface by Richard Stratton discusses Kandinsky's career as a whole and the impact of the book. Making the book even more valuable are nine woodcuts by Kandinsky himself that appear at the chapter headings.This English translation of Über das Geistige in der Kunst was a significant contribution to the understanding of nonobjectivism in art. It continues to be a stimulating and necessary reading experience for every artist, art student, and art patron concerned with the direction of 20th-century painting.

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Product details

Paperback: 96 pages

Publisher: Dover Publications; Revised edition (June 1, 1977)

Language: English

ISBN-10: 9780486234113

ISBN-13: 978-0486234113

ASIN: 0486234118

Product Dimensions:

5.4 x 0.3 x 8.4 inches

Shipping Weight: 4.8 ounces (View shipping rates and policies)

Average Customer Review:

4.2 out of 5 stars

86 customer reviews

Amazon Best Sellers Rank:

#47,559 in Books (See Top 100 in Books)

I’ll have to say I feel like I have only gleaned the surface of Kandinsky’s meaning relative to the spiritual in art. What follows are some key themes that spoke to me:Art offers revolutionary possibility and is the sphere turned to in time of societal stress, breakdown, and chaos. “When religion, science and morality are shaken. . . . when the outer supports threaten to fall, man turns his gaze from externals in on to himself. Literature, music and art are the first and most sensitive spheres in which this spiritual revolution makes itself felt” (p. 25).Artists and their art connects humans to a deeper or transcendent meaning. “To send light into the darkness of men’s hearts – such is the duty of the artist” (citing Schumann, p. 16). “No other power can take the place of art. . . at times when the human soul is gaining greater strength, art will grow in power, the two are inextricably connected” (p. 63).Art communicates – without the use of words. I’m increasingly tired of the primacy of words and speech acts as the preferred communication method – particularly when the rhetoric is 2D, hateful, and divisive. “At different points along the road are the different arts, saying what they are best able to say, and in the language (emphasis mine) which is peculiarly their own” (p. 31).One’s hermeneutic must move beyond impression or observation (what the art is, what it depicts, or its specific configuration or construction) to an allowance for the art to communicate its meaning. “Our materialistic age has produced a type of spectator or ‘connoisseur,’ who is not content to put himself opposite a picture and let it say its own message. Instead of allowing the inner value of the picture to work. . . . his eye does not probe the outer expression to arrive at the inner meaning” (p. 58).Kandinsky's Spiritual Triangle represents a societal and personal progression from solely material to spiritual concerns where the primary movement is influenced by artists and their work. “Painting is an art, and art is not vague production, transitory and isolated, but a power which be directed to the improvement and refinement of the human soul – to, in fact, the raising of the spiritual triangle” (p. 62).My curiosity about this notion of 'spiritual in art' arises from a bias that there's something about aesthetic experience that facilitates a moment where humans transcend individual interest solely captivated by the awe or beauty of the experience of art, music, theater, dance, etc. andinsky's work provides a framework via the triangle to understand art and artist's importance beyond the material toward meaning, purpose and transcendence. I realize in using the word transcendence I'm not defining it - this too is a term I want to learn more about. Reading Kandinsky is but a starting point in this exploration - finally, this work was written early in Kandinsky's career - it would be good to read more of his ideas to further clarify definition and meaning of key constructs: spiritual, sacred, inner meaning, and inner need, for examples.This would be a good read for those interested in art history, spirituality, aesthetics, and experience. I can imagine those interested in place design also benefiting from this book especially Kandinsky's discussion of color.Note: My review is based on 2010 version

I was rather disappointed with this text for all the superlatives that I had seen about it. It is a manifesto and call to arms for the modern movement which is all good but he bases a large amount of his thesis on (now?) questionable science and philosophical constructs. What it does give is an insight into what he and others in his time were thinking.I have not read the original text, but the translation is laborious. Also missing, are illustrations referenced in the text. And what were the advertisements for Hootsuite doing in the front of the book?In summation, it has been said that all students of art must read this text. I would replace "must" with "may well want to" and add that they should look for a better translation.

There were some great points about color Harmony and the emotion of each color, but towards the end I got a little bored of the reading despite the book being so thin/having so few pages.

I came at this after reading a Georgia O'Keeffe biography where it mentioned that this was one of her major influences. I wish I had read this years ago. It has been one of the best insights into modern art, its transcendence to the spiritual and its relationship to music and the philosophy of the times. It has left me thinking about my own work and why I do what I do. I don't agree with every point, but it is definitely on my list of must reads for students of art and art lovers. I am sure I will read this a few times!

Good price and reproduction, but did find a couple of pages placed out of order. Emailed publisher and received response quickly on how to find the missing pages. Only reason for four star is because of the mismatch pages.

This thin tome contains as much food for thought as a book ten times its size. Kandinsky covers a wide range of subjects of interest to people who may be aiming at creating or understanding art that speaks directly to the soul. It is at once earthly and cosmic in its treatment of spirtuality, feeling, colors, and abstraction.

essential book for all serious anot only was Kandinsky an amazing, revolutionary artist,but he could write about his discoveries,so we can all (or most of us) understand what he was thinking and feeling

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Download Beren and Lúthien, by J. R. R. Tolkien

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Beren and Lúthien, by J. R. R. Tolkien

Beren and Lúthien, by J. R. R. Tolkien


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Beren and Lúthien, by J. R. R. Tolkien

Review

“Every version of the story in the book is incomplete, but under Christopher Tolkien’s steady editorial hand, the fragments assemble themselves to give us an impression of the whole. What makes this possible is the grace with which he handles his long-accustomed dual role of guide to both story and history. His preface and annotations are openhearted and engaging. He leads the reader pleasantly through the greater landscape of Middle-earth in the First Age, and strikes as clear a path as possible through the wilderness of Tolkien’s lifelong attempts to get the story finished and published. With eloquence and diligence and care, the son reconstructs and retraces the father’s journey, pursuing the tale through draft after draft as Tolkien pursued his vision of Middle-earth; as Beren, lost and hunted, followed the sound of Lùthien’s voice as she sang in the shadowed forest of Doriath.” — NPR.org“A good introduction to LOTR fans nervous about taking on The Silmarillion, and also gives longtime fans a fascinating look at the Tolkiens’ myth-making process.”— EntertainmentWeekly.com“A beautiful book.”— San Antonio Express-News

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About the Author

J.R.R. TOLKIEN (1892–1973) is the creator of Middle-earth and the author of such classic and extraordinary works of fiction as The Hobbit,The Lord of the Rings, and The Silmarillion. His books have been translated into more than fifty languages and have sold many millions of copies worldwide.CHRISTOPHER TOLKIEN is the third son of J.R.R. Tolkien. Appointed by Tolkien to be his literary executor, he has devoted himself to the editing and publication of unpublished writings.

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Product details

Hardcover: 288 pages

Publisher: Houghton Mifflin Harcourt; 1st Edition edition (June 1, 2017)

Language: English

ISBN-10: 1328791823

ISBN-13: 978-1328791825

Product Dimensions:

5.5 x 1 x 8.2 inches

Shipping Weight: 1 pounds (View shipping rates and policies)

Average Customer Review:

4.1 out of 5 stars

220 customer reviews

Amazon Best Sellers Rank:

#23,640 in Books (See Top 100 in Books)

For those wondering just what this book may be, here is the skinny:1. This is NOT a single-narrative novel. It is not even a pieced-together story like The Children of Hurin.2. THIS IS a collection of incomplete manuscripts and manuscript extracts that JRRT wrote over the course of many years as he struggled (unsuccessfully) to set out in full the tale of Beren and Luthien. Son and editor Christopher Tolkien has selected the material presented here to show how his father's conception of the story evolved over time. This is the point of the book.3. All of the manuscript material included here has been published before in various volumes of The History of Middle Earth. Nothing new is included.4. This IS the story that was closest to Tolkien's heart, and it is the great tragedy of his career that he never finished a full-length version. He made several substantial efforts in poetry and prose and simple summaries only to abandon each one. With each effort he changed the storyline and the details. Most notably Beren went from being an elf to being a man. Out of all this, Christopher Tolkien pieced together one of the longest chapters in The Silmarillion. In this book, he provided a dedicated illustration of the complexities with which he had to contend.No one will ever KNOW the story of Beren and Luthien because JRRT never worked it out himself. Readers of this book, however, will take away some understanding of how the Professor worked on his legend off and on through the years.

One beautiful day in the spring of 1917 a young man and woman went for a stroll through a wood outside the village of Roos in Yorkshire. They wandered into a glade filled with long stemmed flowers bearing white blossoms. The woman danced and sang among the flowers while the man, who was still thin and weak after a severe case of trench fever, stood watching. Shortly after that golden day the man incorporated its memory into a story he was writing that he intended to be part of a "mythology for England," a series of interconnected tales he had been working on since his days at Oxford years earlier. The man was John Ronald Reuel Tolkien and the woman was his wife Edith Bratt Tolkien,whom he had loved for many years before their marriage in the spring of 1916. The story Tolkien wrote and rewrote over many years had several different versions, but the story of a beautiful woman dancing in a forest clearing was always part of it. Eventually it became The Tale of Beren and Luthien.Beren was a mortal Man who after many adventures and hardships wandered through a mysterious wood in Beleriand, a large realm in the West of Middle-earth defended by Elves and Men against the tyranny of the Dark Lord Morgoth and his minions. Beren came across a beautiful woman dancing in a glade filled with white flowers. She was Luthien, daughter of King Thingol of the Elves. They fell in love, but King Thingol refused to allow them to marry unless they brought him a Silmaril, one of three magical gems crafted in Valinor across the Sea but stolen by Morgoth centuries earlier. Their Quest, its fulfillment, and Beren and Luthien's ultimate fate make up the Tale, which became a center piece of Tolkien's mythology. He referred to Beren and Luthien several times in The Lord of the Rings (whose characters Aragorn and Arwen are descendants of and counterparts to Beren and Luthien), and eventually a version of the Tale was included in The Silmarillion, which was completed by Tolkien's son Christopher and published in 1977. Later Christopher Tolkien was to edit and publish the twelve volume History of Middle-earth, which includes several more versions of the Tale in both prose and poetic forms.In this beautiful book we have the Tale itself in several of its versions beginning with the Tale of Tinuviel, which was written in the early years of Tolkien's development of his mythology and which contains some elements which were later discarded or drastically altered. For example,a major villain in The Tale of Tinuviel is Tevildo Prince of Cats, who was later to become Sauron, the chief servant of Morgoth. There are extracts from an early poetic version, The Lay of Leithian as well as from other versions written by Tolkien at various times during his life. Most if not all of this material has already been published in The Silmarillion and The History of Middle-earth, but having it all available in one volume is very valuable. In addition, Christopher Tolkien has provided an extensive Preface, some Notes on The Elder Days, and more introductory material on the Tale itself. These will be invaluable to experienced Tolkien scholars as well as those who might not be as familiar with the wider range of Middle-earth material. An additional pleasure are the nine illustrations in full color plates provided by Alan Lee, one of the most well-known and talented artists at work depicting Tolkien's worlds today. His paintings have an ethereal quality that absolutely befit their subject.Since there is very little previously unpublished material in Beren and Luthien some might wonder whether a separate volume is worthwhile. I can assure them that the careful production and attention to detail in extracting one narrative from a very rich fabric makes this book highly desirable. Additionally, Christopher Tolkien notes in his Preface that as he is now in his ninety-third year this is "presumptively" his last edition of his father's writings after over forty years of labor. He also writes that "the tale is chosen in memoriam" because it played such a strong part in his father's life and marriage, therefore it can be considered one of Tolkien's most personal stories. Tolkien himself made reference to his attachment to this Tale shortly after Edith's death in 1971. He wrote to his son Christopher about that spring day in Roos, saying that she was the "chief source" of what was to become a major part of his legendarium. Today J.R.R. Tolkien and Edith Bratt Tolkien are buried beneath a single headstone carved with their names and dates and "Beren" and "Luthien."

I purchased the special edition in slipcase. The quality of the book is excellent. It is in the same format as, and perfectly compatible on my bookshelf next to, the special edition of The Children of Hurin. If you a collector who reveres books or Tolkien, you should get this edition. I won't belabor that point further. The rest of the this review will focus only on the contents.This is not the book I was expecting. The quote that appears in my headline is straight out of the preface. And indeed the rest of the preface goes on to attempt to answer that question. In short, the goal was to get all of the existing revisions of Beren and Luthien into one place. This is very different from the purpose of The Children of Hurin. And the resulting product is a very different kind of reading.If you have studied the History of Middle Earth series (and if you are considering the purchase of THIS book, you are almost certainly aware of them to some extent) then you already know that the major literary work of Christopher Tolkien's life has been to find a way to get all of the fragments of his father's writing, at all stages of his life, sorted out into chronological order and published with extensive commentary to show how his father's conception of the world, the languages, and the tales themselves changed over time.Regrettably, very few of those tales were ever completed, and fewer still were completed at a stage that was compatible with his final conception of Middle Earth as seen in the Lord of the Rings.Many of us, myself included, were fascinated by the Histories. They served a great purpose. And they curiously straddled an unusual divide: the meticulous level of documentation could be of interest only to scholars and historians, but they also contained the last bits of story that fans desperately wanted to read, even in their incomplete forms.But sometimes.... you just want to read a cohesive story. Isn't that ultimately what we started this journey for? The story moved us. It's a tribute to the power of Tolkien's stories that we also wanted to "see how the sausage was made." Sadly, the last bits of even semi-completed narrative, that were also compatible with the published version of The Lord of the Rings, were published in 1980 in Unfinished Tales.Until, that is - the publication of The Children of Hurin in 2007. It was a gift from above. Finally, we had one of the tales of the Elder Days definitively re-edited into a single, cohesive narrative, simply readable as a story - without constantly being interrupted to explain which folio the next three sentences were taken from, and why they are preferred over the pencil-erased version in the margins of an earlier notepad. I'm sure many of us believed that Beren and Luthien was to follow that model. It does not. This, to put it lightly, dashed my hopes. The book I hoped this would be, does not exist, and will never exist. Apparently the remaining fragments of text needed to complete a long-form prose version of this story were either never written, or Christopher Tolkien does not think them worthy of publication. Frankly, I don't think the marketing material was suitably clear on this. And that is my essential criticism.The contents of the book are themselves wonderful. However, every word of it was taken from the first five volumes of The Histories. If you have those books, then you have no need (other than aesthetic) for this book. If you have not been introduced to those books, then you might be taken aback by the nature of this one.This book really only serves three purposes:1) It DOES succeed in making it much easier to follow the development of this one particular tale, outside of its possibly-overwhelming context. Yes. Having all of the material from the histories in one place makes researching the transition of Tevildo, Prince of Cats into Sauron, the Dark Lord in training much easier. (For example). It does not however give any new insight, since you've already read it in The Book of Lost Tales II.2) It DOES look beautiful on a bookshelf full of other special editions of Tolkien's work. This point is not trivial to me, nor to some of you. We are readers. We consider a well-bound book to be a work of art.3) As with The Children of Hurin, it contains a number of beautiful paintings by Alan Lee. These are worth seeing, and certainly won't be available in the mass market version.tl;dr: I'm happy to have this book. I'm sad that it doesn't contain new material or a final cohesive narrative.

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Friday, March 23, 2012

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The Alkaloids, Chemistry and Physiology, Volume X

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Publisher: Academic Press (1968)

ASIN: B008JZBOPS

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ASIN: B00O4D38GW

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We live in a great country, founded on freedom and equality and justice for all. I believe that, and I believe those principles form the core of our justice system. But, as Bryan Stevenson demonstrates all too clearly in Just Mercy: A Story of Justice and Redemption our system, like every human system is far from perfect. Not only is it not perfect, there are elements of evil lurking within it.Stevenson, founder of the Equal Justice Initiative (EJI) has dedicated his legal career to defending "the poor, the disfavored, the accused, the incarcerated, and the condemned." He became convinced that "the opposite of poverty is not wealth; the opposite of poverty is justice." EJI defends innocent people who have been condemned to death, minors and disabled individuals who have received unjust sentences, and others who have been overlooked or mistreated by the courts. His clients are largely poor and minority, because of "our system's disturbing indifference to inaccurate or unreliable verdicts, our comfort with bias, and our tolerance of unfair prosecutions and convictions."Stevenson tells many of his clients' stories in Just Mercy, but the one narrative that drives the book is Walter McMillian's conviction and death sentence for a murder he didn't commit. The entire groundless accusation, botched investigation, and joke of a trial boggle the mind. If ever there was someone who was put on death row for no reason, McMillian was. Stevenson was finally able to get him freed after many years, but the damage to McMillian's business, family, and mental and physical health had been done.I tend to have a positive view of law enforcement and the justice system. I want to believe that cases like McMillian's are few and far between. But to hear Stevenson tell the story, his case load is beyond what he and the EJI lawyers can handle; the prisons are full of people placed there by a corrupt, racist, biased system. I wish he would spend a little time talking about people who are in prison for life because they deserve to be there. I appreciate his sentiment that we should not "reduce people to their worst acts and permanently label them." People can and do change, and the justice system should have a strong element of reform. But if someone rapes and murders, terrorizes their neighborhood, and completely disregards human life, long prison sentences are in order.As hard on crime as I want to be (as if my opinion makes any difference) I will still stand with Stevenson's objection to the death penalty. Some may argue that if we wrongfully execute one innocent person for every hundred executions, the deterrent effect is worth that price. But to me that price is to high. (Not to mention the deterrent effect of the death penalty is questionable at best.) Just Mercy will definitely get the reader thinking about our justice system, and make us a little less eager to believe in someone's guilt when we hear about their crimes in the news. I am thankful for Stevenson and other lawyers like him who sound the trumpet for justice and mercy for the poor and marginalized. If I were a younger man, this book would inspire me to go to law school and follow in Stevenson's footsteps.Thanks to NetGalley and the publisher for the complimentary electronic review copy!

When I first started reading this book I really had no idea what to expect or why I should even take the time to read it. My tendency is to put things into "liberal" and "conservative" buckets and this one seemingly fit into the liberal bucket and I am a professed conservative. I still am but I have to say that I was moved by this story beyond my expectations. There is indeed so much injustice in this world and there is plenty of opportunity for mercy; even mercy extended in unexpected places. The plight of the poor and downtrodden is overwhelming to consider and this book provided a reason to view people's circumstances before providing condemnation. I would wholeheartedly recommend reading it.

This book is a sad book. It had horrible stories about people that were done wrong by the people of that time. They were people of color, mentally ill people, and the system failed them. We all need to be aware of this and that it happens to ALL people. It doesn't just happen to black people. It happens to all people. What my rating means is that to bring this out to the forefront and to bring what has happened to the attention of many - doesn't mean you need to bash white people or make out the police to be the bad people. I am tired of this being the only way authors seem to be able to get a point across. Try another way and you will get the information to more people that aren't turned off to the rest of the message.

At its core, Bryan Stevenson's JUST MERCY is about the inherent inhumanity of the American justice system. As Stevenson puts it, "Presumptions of guilt, poverty, racial bias, and a host of other social, structural, and political dynamics have created a system that is defined by error, a system in which thousands of innocent people now suffer in prison." This is a system that condemns children to life imprisonment without parole, that makes petty theft a crime as serious as murder, and that has declared war on hundreds of thousands of people with substance abuse problems by imprisoning them and denying them help. Stevenson is an attorney with the Equal Justice Initiative in Montgomery, Alabama, an organization that offers free legal services to the poor and disenfranchised. His book is a sobering look at criminal justice from the perspective of those least likely to be treated fairly.JUST MERCY explores a number of devastating cases, including children as young as fourteen facing life imprisonment, and scores of people on death row - mostly poor, and mostly black - who have been unfairly convicted. But the central focus is on Walter McMillan, a black man sentenced to death for the murder of a prominent young white woman. McMillan claimed he did not commit this crime, and he had a score of alibi witnesses, but he was quickly railroaded into both a conviction and a death sentence. Stevenson spent years working to get McMillan a new trial, and the two men remained connected throughout the remainder of McMillan's life. It's a fascinating case, one that involves perjury, police corruption, a racist judge, and prosecutors more intent on protecting their political positions than finding justice.Stevenson's thesis is that justice itself is denied for the millions of Americans who are poor, non-white, mentally ill, or otherwise disenfranchised. Ours is no longer a country that sees compassion as a virtue; instead, we write harsher and harsher laws that demand longer and longer sentences for those we consider undesirables. "The true measure of our character," Stevenson writes, "is how we treat the poor, the disfavored, the accused, the incarcerated, and the condemned." And by the final page of JUST MERCY, it is quite clear that we, as Americans, have fallen short.It's rare these days to meet someone who truly dedicates himself to those least able to help themselves, especially someone who isn't after media attention or self-promotion. Stevenson's tireless efforts to give solace to the many men and women on death row are both inspirational and affirming. He isn't successful in freeing all of his clients - more than a few are executed in spite of his pleas - but what he offers them is more than just legal support. He listens to them, takes them seriously, investigates in ways the police failed to do, and gives them a voice they had otherwise been denied. In the end, Stevenson writes, "we have to reform a system of criminal justice that continues to treat people better if they are rich and guilty than if they are poor and innocent." That's a tough lesson for a world too often motivated by money, power, and political position. The people Bryan Stevenson works for have no money, no power, and no political position, but they are human beings deserving of compassion and mercy. "Each of us is more than the worst thing we've ever done," Stevenson writes, adding, "the opposite of poverty is not wealth; the opposite of poverty is justice." As Americans, we can't be proud of our justice system until it offers justice to all of our people, and not only those with money and influence. It's a hard sell in today's mercenary, "me first" environment. But Stevenson's voice is one we all need to hear. JUST MERCY is a powerful and eye-opening book. I recommend it highly.

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Friday, March 16, 2012

Ebook Free

Posted by Kay Morin in No comments

Ebook Free

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Ebook Free

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Product details

File Size: 1401 KB

Print Length: 119 pages

Page Numbers Source ISBN: 1797907727

Publication Date: February 23, 2019

Sold by: Amazon Digital Services LLC

Language: English

ASIN: B07NZF3W9H

Text-to-Speech:

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Amazon Best Sellers Rank:

#656,407 Paid in Kindle Store (See Top 100 Paid in Kindle Store)

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