Free Download The Magic Arts in Celtic Britain (Dover Occult), by Lewis Spence
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The Magic Arts in Celtic Britain (Dover Occult), by Lewis Spence
Free Download The Magic Arts in Celtic Britain (Dover Occult), by Lewis Spence
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Product details
Series: Dover Occult
Paperback: 208 pages
Publisher: Dover Publications; New edition edition (February 29, 2012)
Language: English
ISBN-10: 0486404471
ISBN-13: 978-0486404479
Product Dimensions:
6.1 x 0.5 x 9.2 inches
Shipping Weight: 9.6 ounces (View shipping rates and policies)
Average Customer Review:
4.0 out of 5 stars
9 customer reviews
Amazon Best Sellers Rank:
#793,023 in Books (See Top 100 in Books)
This book by Spence is full of great references to well-known and obscure Celtic myths. Covering Ireland, Scotland, Western Britain, and parts of Continental Europe, the Celts were large in scope, and this book covers a very large part of their beliefs. His study of comparative mythology is also done quite well, comparing traditions of the Norse, Celts, and Greeks, among others. I highly recommend this book to both beginners in the field, and those not new to the wonderful world of the Celtic peoples. He seems to be an expert in the field, but does not draw extravagant conclusions, as many other authors have done.
l really enjoyed this book on ancient Celtic occultism. lt's an intermediate book on difficulty and length, and shouldn't take more than a week or 2 to read. The author is clearly proud to be from this part of the world, as he states repeatedly throughout the book. After reading the material though, l can understand and relate to his sense of pride.Spence talks about mystery schools, folk magic creatures, myths, legends, rituals and supernatural abilities like shapeshifting and second sight. He stresses his belief that the ancient Celts and Druids were a mystically inclined people, more closely involved and indeed interwoven into the spiritual world than other global regions. Luckily there isn't a hamfisted, preachy, Christian bias overshadowing the whole thing, and the author maintains a mostly grounded and objective approach to his research and findings.The Magic Arts in Celtic Britain is a fun read, mixing history with lore and bringing a highly enjoyable cocktail to the table. Lewis Spence can get flashy with his wording, but he's easily followed for the most part. Even when dealing with morose topics, l find that he makes it lighthearted in a strange way. You could say l'm a fan.
This book has been so helpful in writing my Celtic fantasies. It’s packed cover to cover with fascinating information - I’ve read through it all twice, and STILL find lots that I hadn’t noticed before. It has a good index (essential for this sort of book) lots of useful references - it is that rare thing - a learned book, full of knowledge, yet highly readable. I can’t put it down!
Author Lewis Spence spends a great deal of time trying to explain to the reader that he is not the authority on this subject, however the depth of the passages in this book contradict his claim.The book offers readers a very detailed summary of various forms of the Magic Arts (Celtic spirituality, Arthurian Legend, Druids, etc...)....Rating of 4 stars only because there are just a small smattering of sketches/plates to accompany the text.I've read in various interviews with Led Zeppelin singer Robert Plant that this book inspired him to write Stairway to Heaven!
A decent primer on druid magic with an interesting bibliography and numerous anecdotes.
The font is so packed together I would need a magnifying glass to read it. A million words per page. Just too difficult to read and poorly laid out. No excuse for that in this day and age. I returned it.
This book was originally published in 1945. I personally love the style of writing that was common in Britain pre-WWII--some modern readers might find it a bit wordy or dense but it's so witty and cheeky while still being to-the-point. (It's worth remembering the original date when you run across a regrettable use of the "N-word" when the author quotes what must be an old American expression.) Spence was an erudite folklorist who wrote on the folk literature of various cultures, and he brings that expertise, alongside his own identity as a Scot, to the study of Celtic lore.In some places Spence's interpretations are, by 21st century standards, a little outdated (e.g., the theory that all cultures develop through certain stages, referring to certain peoples as primitive or savage, what he endearingly calls the "predisposition of the Celtic race to the arcane and mysterious," and in particular his conclusion--in spite of evidence to the contrary--that women weren't really druids but only assistants). And of course he didn't have the benefit of all the archaeological discoveries that have happened in the last 70 years. But for the most part he treats the material with respect and precision and one can overlook the dated stuff and still find plenty of useful information. There are extensive footnotes with bibliographical references for those who wish to do further research or check out the primary sources Spence refers to. He also discusses other experts' theories on the topics he adresses.And actually there is a benefit to a Celtic sourcebook of this age, and that is that it predates the wishful thinking that dominates a lot of popular literature about "Celts," especially in neopagan circles. Spence does make reference to Frazer's Golden Bough, which has now been criticized as full of inaccuracies, but there's no Robert-Graves-White-Goddess nonsense.Some of Spence's interpretations are very intriguing and really deserve further study, for example, his speculation that the druids were the priests of a sect devoted to the concept of divine kingship, as opposed to religious professionals for the people as a whole. Although we will probably never be able to confirm or deny this, it does fit with the way druids are represented in the early medieval Irish literature. He also points out something that is obvious in retrospect and yet I admit I never noticed it, and that is that in comparison with Norse mythological literature, the Irish and Welsh stories seem to be much more philosophical, if not even mystical, in their orientation.In short I think this is a necessary piece for the library of anyone interested in Celtic (particularly Irish, Welsh, and Scottish) history, archaeology, literature, folklore, and mythology/religion.
This is an interesting find in reading for the type of interests I have. GREAT SERVICE! Great copy! Happy to GET THIS BOOK!
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