Ebook Showtime At The Apollo, by Ted Fox
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Showtime At The Apollo, by Ted Fox
Ebook Showtime At The Apollo, by Ted Fox
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Product details
Paperback: 336 pages
Publisher: Da Capo Press; 1st Edition stated edition (March 21, 1993)
Language: English
ISBN-10: 0306805030
ISBN-13: 978-0306805035
Product Dimensions:
6 x 1 x 9.2 inches
Shipping Weight: 1.2 pounds (View shipping rates and policies)
Average Customer Review:
4.7 out of 5 stars
12 customer reviews
Amazon Best Sellers Rank:
#3,529,778 in Books (See Top 100 in Books)
Recently the descriptive "legend" has been bestowed willy-nilly on recipients of ephemeral celebrity and of dubious merit and accomplishment. But the Apollo Theater in Harlem, N.Y. is a genuine legend, equal, and even superior to any music theater in the world.The Classical Revival style building at 253 West 125th street in Harlem was designed by George Keiser and built in 1913-14 as the Hurtig & Seamon's Burlesque Theater, which had a "Whites Only" policy that was rigorously enforced. By the early 1930s, the place fell into disrepair and closed. Sidney Cohen, who owned several theaters in Harlem, bought and renovated the theater, renaming it "Apollo Theater" that catered to the Black residents of the area.The "Apollo" faced stiff competition from other music halls, especially Schiffman's "Lafayette" and Brecher's "Harlem Opera House" that booked dynamic acts, such as Bill `Bogangles' Robinson and Louis Armstrong. After Cohen died, Schiffman and Brecher took over the "Apollo" and progressed from vaudeville acts to swing era big bands, comic acts, dance and variety shows.The theater became a gathering place for the neighborhood; men, women and children would flock to the Apollo, when it opened its doors at 10 AM, and some would stay all day through the night to watch the multiple shows offered. Cartoons and newsreel were usually followed by a full length feature fim.
I cannot express what an insightful and fully informative education I had on the Apollo Theatre! My knowledge about the famous theatre did not go past the rock and soul era of the Theatre. But, there is so much to learn on exactly how far this theatre goes back. I believe every aspect of the history is told.This theatre was where everybody who was anybody made their appearance at the Apollo. The names that are mentioned, dating back to the earliest days, covering all types of shows, jazz, big bands, gospel, blues, rock, dance, comics, and novelty acts. To many performers, it was home while also known as the "number one" theatre on the map.In the forties, the war years, where Big Band dominated and you can learn about the greats here, Charlie Parker, Earl Hines, Ink Spots, Dinah Washington, Pearl Bailey, Billie Holliday, Dizzy Gillespie, Wynonie Harris, and so many more mentioned. The fifties covered Eartha Kitt, Josephine Baker and her costumes, and Johnny Mathis and his fear of performing before black people, etc.What was insightful was the talk about Amateur Night. So many famous people began their career on Amateur Night. How this was in operation was very interesting. You will also hear about the novelty acts, comedians and the dancers.There was a time in the sixties when the focus was on the Disc Jockeys and their popularity. Equally telling was the Gospel era at the Apollo, gospel women, Big Mama Thornton, Sister Rosetta Tharp, quartets such as The Dixie Hummingbirds, Soul Stirrers.Most well-known to me was the era of the sixties, James Brown, Ray Charles, Jackie Wilson, etc.The photo images are plentiful, great historic photos of the past. It is wonderful to get an idea of the entertainers, conditions, staff, buildings, mechanics, operations, etc. The later chapters focus on the Apollo struggling and "How the Apollo Got It's Groove Back".Again, I have not read a more comprehensive, thoroughly insightful, entertaining history on an iconic "home", the Apollo. Rizzo
Excellent synopsis of the history of a great theater. From its origins, through the depression to the '80s the theater showcased not only acts, but music. Located in Harlem, it was the theater hosting Black actors, singers, dancers before they were able to break into mainstream or white theaters. It was THE unique theater well ahead of its time and original in its format. The best and greatest white acts begged to get on stage while those growing up in Harlem called that stage "home." Worthwhile reading.
This book is a tender blend of juicy gossip, incredible research forged into a fascinating story, and a definitive re-telling of the fabled Apollo. No history of American music can omit the extraordinary talent assembled at an unassuming theater in Harlem. Ted Fox, using interviews, an infectious passion for his subject, and a captivating writing style, takes readers on a tour through the Apollo's history. Fox is no romantic. He sees and tells the whole story. The talent is on display, but so is the gambling and the robberies. The business history of the Apollo, seemingly not a very fascinating story to tell, becomes a tale that illuminates the realities of the music business in a way I haven't read before. And while this book is, as promised, a history of the Apollo, it also is a sequence of snapshots of performers. There's Ray Charles backstage playing his piano hoping to get in front of the audience. There's Elvis, dazzled by being in the place all the performers thought of as home. This book is applied sociology, giving us an unblinking picture of race in America, a picture accompanied by the beat of incomparable music.
Showtime At The Apollo is a great read--fun, fast, and entertaining! For those of us who weren't there backstage or in the audience, this book is the next best thing! The Apollo lives! Ted Fox has given a precious gift to all who are passionate about this music!
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